John Galliano Gold Embroidered Blue Satin Jacket with Mink Collar (AW 2005)
John Galliano Gold Embroidered Blue Satin Jacket with Mink Collar (AW 2005)
John Galliano Gold Embroidered Blue Satin Jacket with Mink Collar (AW 2005)
John Galliano Gold Embroidered Blue Satin Jacket with Mink Collar (AW 2005)
John Galliano Gold Embroidered Blue Satin Jacket with Mink Collar (AW 2005)
John Galliano Gold Embroidered Blue Satin Jacket with Mink Collar (AW 2005)
John Galliano Gold Embroidered Blue Satin Jacket with Mink Collar (AW 2005)

John Galliano Gold Embroidered Blue Satin Jacket with Mink Collar (AW 2005)

Regular price£1,538.00
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Curator's Note

This jacket is from John Galliano's "Renée" Autumn/Winter 2005-06 collection. The collection was built around Renée Perle, a muse Galliano had referenced before, cast here as the star of an imagined silent film; the show was staged as a recreated 1930s film set, with models in period-inspired makeup and finger-curled hair. Tailoring throughout took a masculine silhouette, paired elsewhere with fluid bias-cut dresses. This jacket Is made of blue satin densely embroidered in old gold scrollwork, with a mink collar, in keeping with the fur trims used across several pieces in the show.

Description

  • Blue satin fabric, embroidered in gold scrollwork and medallion motifs
  • Collar partially covered in mink
  • Fitted silhouette
  • Long sleeves
  • No closure at the front
  • The jacket has been altered at the waistline

Size and Measurements

  • Labelled size FR 38 (please refer to measurements for accurate fit)
  • Measurements are taken with the garment laid flat:
    • Shoulder width: 38cm
    • Chest: 40cm
    • Waist: 34 cm 
    • Length: 60cm 

Excellent

This garment is in outstanding condition with no or minimal signs of wear. Any flaws present are negligible and do not detract from the overall appearance or integrity of the piece.

John Galliano

John Galliano graduated from Central Saint Martins in 1984 with Les Incroyables, a collection drawn from the French Revolution bought in its entirety by Browns. He moved to Paris in the early 1990s, staging shows in borrowed hôtels particuliers that attracted Princess Diana, Madonna and LVMH, leading to appointments at Givenchy in 1995 and Christian Dior in 1996. Under his own label he ran concurrently with both houses, his work was shaped by romantic storytelling, bias-cut construction and historical characters drawn from across cultures and centuries. He was named British Designer of the Year four times.

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