John Galliano Black Openwork Knit Skirt with Pink Floral Flounce (SS 2004)
John Galliano Black Openwork Knit Skirt with Pink Floral Flounce (SS 2004)
John Galliano Black Openwork Knit Skirt with Pink Floral Flounce (SS 2004)
John Galliano Black Openwork Knit Skirt with Pink Floral Flounce (SS 2004)
John Galliano Black Openwork Knit Skirt with Pink Floral Flounce (SS 2004)
John Galliano Black Openwork Knit Skirt with Pink Floral Flounce (SS 2004)
John Galliano Black Openwork Knit Skirt with Pink Floral Flounce (SS 2004)

John Galliano Black Openwork Knit Skirt with Pink Floral Flounce (SS 2004)

Curator's note

This skirt is from John Galliano's Spring/Summer 2004 collection. The pink floral fabric used for the flounce trim appeared on the runway across looks 4, 5, and 6 of the show. The skirt itself is built in black openwork knit, with the floral fabric banding the waist and running vertically down the front, and at the hip to divide the fitted upper skirt from a sheer tiered, asymmetric flounced hem in matching black mesh.

Description

  • Fitted stretch pencil skirt in black openwork knit 
  • Pink floral flounce trim at the waist and vertically down the front
  • Matching flounce trim band at hip
  • Sheer tiered asymmetric handkerchief-style flounced hem in matching black openwork mesh

Size and Measurements

  • Measurements are taken with the garment laid flat:
    • Waist: 33cm
    • Hips: 37cm
    • Length: 63cm

Excellent

This garment is in outstanding condition with no or minimal signs of wear. Any flaws present are negligible and do not detract from the overall appearance or integrity of the piece.

John Galliano

John Galliano graduated from Central Saint Martins in 1984 with Les Incroyables, a collection drawn from the French Revolution bought in its entirety by Browns. He moved to Paris in the early 1990s, staging shows in borrowed hôtels particuliers that attracted Princess Diana, Madonna and LVMH, leading to appointments at Givenchy in 1995 and Christian Dior in 1996. Under his own label he ran concurrently with both houses, his work was shaped by romantic storytelling, bias-cut construction and historical characters drawn from across cultures and centuries. He was named British Designer of the Year four times.

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