Chanel Black Chiffon Skirt by Karl Lagerfeld (SS 1990)
Chanel Black Chiffon Skirt by Karl Lagerfeld (SS 1990)
Chanel Black Chiffon Skirt by Karl Lagerfeld (SS 1990)
Chanel Black Chiffon Skirt by Karl Lagerfeld (SS 1990)
Chanel Black Chiffon Skirt by Karl Lagerfeld (SS 1990)
Chanel Black Chiffon Skirt by Karl Lagerfeld (SS 1990)
Chanel Black Chiffon Skirt by Karl Lagerfeld (SS 1990)

Chanel Black Chiffon Skirt by Karl Lagerfeld (SS 1990)

Regular price£1,067.00
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Curator’s Note

This skirt was designed by Karl Lagerfeld for Chanel Spring/Summer 1990 collection. The collection was notable for the extensive use of draping, with asymmetric chiffon skirts and dresses gathered at the hips. Pairing lighter fabrics with the house's traditional tweed jackets was a departure from the familiar straight skirts of the Chanel suit. This black silk skirt features layers of fabric gathered diagonally across the hips, framing a pleated front panel with gold-tone buttons on either side. The skirt has an asymmetric hem and a long silk sash that ties at the back.

Description

  • Black silk chiffon knee-length skirt
  • Asymmetric hem
  • Layers of gathered fabric crossing diagonally over the hips
  • Pleated panel extending down the front
  • Gold-tone decorative buttons
  • Long fabric sash tied at the back of the waist
  • Draped back panel extending below the hem
  • 100% silk with silk lining

Size and Measurements

  • Labelled size FR 40, best fits XS-S (please refer to measurements for accurate fit)
  • Measurements are taken with the garment laid flat:
    • Waist: 33cm
    • Hips: 43cm
    • Length (longest point): 63 cm
    • Length (shortest point): 58 cm


Excellent

This garment is in outstanding condition with no or minimal signs of wear. Any flaws present are negligible and do not detract from the overall appearance or integrity of the piece.

Karl Lagerfeld for Chanel

Karl Lagerfeld was appointed creative director of Chanel in 1983 and spent thirty-six years reinterpreting the Chanel codes: the tweed suit, the quilted handbag, the little black dress, the CC monogram, across collections that also became known for their extraordinary runway spectacle. What he found, in his own words, was a “sleeping beauty” - a house with a clear heritage but no contemporary relevance. He rebuilt it into one of the most recognised luxury houses in the world.

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