Christian Dior Taupe Bias Cut Ruffled Skirt By John Galliano (AW 2003)
Christian Dior Taupe Bias Cut Ruffled Skirt By John Galliano (AW 2003)
Christian Dior Taupe Bias Cut Ruffled Skirt By John Galliano (AW 2003)
Christian Dior Taupe Bias Cut Ruffled Skirt By John Galliano (AW 2003)
Christian Dior Taupe Bias Cut Ruffled Skirt By John Galliano (AW 2003)
Christian Dior Taupe Bias Cut Ruffled Skirt By John Galliano (AW 2003)

Christian Dior Taupe Bias Cut Ruffled Skirt By John Galliano (AW 2003)

Regular price£1,576.00
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Curator's Note

The bias cut is one of the defining techniques of John Galliano's career, present in his collections from 1989 and fully established as his hallmark by his spring/summer 1994 Princess Lucretia collection. Galliano drew directly on the bias-cut eveningwear of the 1920s and 1930s as a primary reference, and on the work of Madeleine Vionnet in particular, whose mastery of the diagonal grain he consistently cited as an influence. The self-fabric buttons running along the side seam are a decorative detail characteristic of Galliano's bias-cut dresses and skirts.

Description

  • Bias-cut high-waisted silk satin skirt
  • Side button fastening with self-fabric covered buttons
  • Asymmetric hemline with layered ruffles

Size & Measurements

  • Labelled size FR 38 (please refer to measurements for accurate fit)
  • Measurements are taken with the garment laid flat:

    • Waist 38cm
    • Hips 42cm
    • Length 104cm

Excellent

This garment is in outstanding condition with no or minimal signs of wear. Any flaws present are negligible and do not detract from the overall appearance or integrity of the piece.

John Galliano for Christian Dior

John Galliano was appointed creative director of Christian Dior in 1996, bringing fifteen years of theatrical, historically driven collections to the house. His references ranged across Marchesa Casati, Egyptian antiquity, the Belle Époque, Japanese geisha culture and the Parisian demi-monde, each season staged as a full narrative. Under his direction Dior tripled its turnover and produced some of the most collected ready-to-wear and haute couture of the era, including the iconic Saddle Bag.

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